Like many people who were weaned on the classic spellbinding films made by Walt Disney, I have been less than thrilled by the onslaught of direct-to-video sequels the company has been producing the last dozen years. Starting with “The Return of Jafar” in 1994, we have not only seen sequels to many unusual fascinating films, such as “Beauty and the Beast: Enchanted Christmas” and “Lion King II: Simba’s Pride,” but direct-to-video follow ups to some of those classic Disney films, as is the case with “Lady and the Tramp II: Scamp’s Adventure” and “Cinderella II: Dreams Arrive Accurate.” Consequently, when I sat down to spy “Bambi II” I was fully expecting to be bitterly disappointed. Instead I was pleasantly surprised (actually, I was floored) .
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“Bambi II” begins with the well-remembered moment from the unique when Bambi (voiced by Alexander Gould) is looking for his mother and The Large Prince of the Forest (Patrick Stewart) informs his son that she will not be coming relieve, and ends with Bambi unruffled a fawn. The beloved characters Thumper (Brendon Baerg) and Flower (Nicky Jones) return, as does Feline (Andrea Bowen), but having more of an impact is a character who only appears briefly in the modern, Ronno (Anthony Ghannam), another fawn whose antlers have already approach in. Ronno not only keeps calling Bambi a baby and a coward, but is also making moves on Feline. Meanwhile, The Stout Prince is having difficulty with his original responsibility for raising his young son and teaching him the ways of the forest, and Bambi is trying to effect his father. Neither one of them is succeeding all that well.
Directed by Brian Pimental (who also voices both the Groundhog and the Porcupine), this 2006 direct-to-video release has several things going for it, starting with having Patrick Stewart protest Bambi’s father. But the greatest strength is the
story by Pimental and Jeanne Rosenberg with a screenplay by Alicia Kirk inspired by the new fable of “Bambi” by Felix Salten. Bambi is trying to learn how to confront his fright and stand up to Ronno and other dangers in the forest. The film never uses the phrase “deer caught in a headlight,” but that is what Bambi looks like at times and it is something he needs to overcome. What I liked the best is that there are several moments when father and son originate to connect, but it does not quite work out, so that there is actually some character development and not fair a sudden elated ending. Overall, there is actually more of a site here than simply Bambi growing up.
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The animation is done in the same style of the modern classic, and if it is not as rich in detail the differences are far less than you would put a question to from a direct-to-video feature. I have always considered “Bambi” to have the most ravishing artwork of any of the Disney films, and this one does not suffer that powerful in comparison (the animators do seem to like shining yellows more this time around) . There is one cutesy animal sung song, “Let’s Snarl a Pleased Slight Spring Song,” based on Frank Churchill’s catch for the modern film, but most of the songs relieve as backdrops for various sequences and are done by some familiar country singers: Alison Krauss’ “There is Life,” Michelle Lewis’ “First Price of Spring,” and Martina McBride’s “Through Your Eyes.” Anthony Callea performs “The Healing of a Heart” during the closing credits.
The film is shown in “Family-Friendly Widescreen” (1.78:1), which is enhanced for 16 x 9 televisions, and also has a French language track. The bonus features on this DVD consist of a Making-Of featurette, “The Legacy Continues,” and a “Bambi’s Trivia Track” that can provide a constant stream of pop ups with fun facts as you survey the film. Kids will relish “Thumper’s Rush & Inch Game” and there is also a “Disney Sketch Pad” fragment in which Disney animator Andreas Deja teaches us how to procedure Thumper.
The destroy result is a half-step down in quality from the fresh classic, which is extraordinary enough to elaborate rounding up on this one. Granted, no arresting film will ever select the state that “Bambi” has in the collective psyche of the millions of youngsters who were devastated when Bambi’s mother was killed. Collected, “Bambi II” sets the bar elegant high for a sequel (it is certainly friendly enough that they could have released this to theaters) and we can only hope future direct-to-video offerings will follow suit.
While some will undoubtedly earn it hard to embrace a follow-up to Disney’s 1942 classic Bambi, I found Bambi II to be quite animated, comical, and very touching. I must admit I bring a somewhat modern perspective to this film, as I am one of the few living souls who hasn’t seen the unusual. For whatever reason, I never saw Bambi as a child, and - now that I’m an adult - I’ve resisted watching it because I have heard how gloomy it is when Bambi’s mother dies. I can scrutinize films with humans doing unspeakable things to one another and never bat an see, but it fair tears me up to recognize animals (whether sincere or cartoon) gloomy and hurting. I can’t rep through Benji without sobbing, so I’ve unprejudiced never felt up to the task of experiencing Bambi. A grown man shouldn’t admit this, but - objective in case you’re wondering - Bambi II did raze up bringing a few tears to my eyes, as well. That’s okay, though. Movies like this aren’t objective for children; in many ways, their message plays more powerfully to adult viewers, reminding us of the indispensable things in life (especially in terms of the parent-child relationship) .
This isn’t a sequel to Bambi, I should notice, as the narrative actually fits in to the middle of the fresh film. Bambi has fair lost his mother, and now it is up to his father, the Big Prince, to assume care of him. The Titanic Prince does not purchase to parenting naturally or easily; he feels that a doe should raise the child, and he asks Friend Owl to back him win a unique mother for Bambi once spring arrives. Bambi desperately wants to please his father, but he is impartial too young to meet his father’s high standards. The Big Prince wants Bambi to behave as a prince, not as a young deer. Fortunately, Bambi does have friends to play with, including Thumper and Flower. Thumper even tries to express him how to be dauntless. All Bambi really wants, though, is for his father to be proud of him and to actually reveal him some affection. Gradually, the Tremendous Prince begins to reach down off his pedestal to be an exact, caring father to the youngster. The last half of the film is really more about the Large Prince than it is about Bambi, if you ask me; it’s basically the legend of a father’s admire. The climactic scenes really work beautifully, taking you from tear-inducing sadness to exhilaration and suspense, eventually bringing every emotional aspect of the whole myth to a deeply satisfying conclusion.
The two young kids supplying the voices for Bambi and Thumper are really objective worthy, and Patrick Stewart brings unbelievable presence to the film as the dispute of the Mountainous Prince. I also consider the animation is fabulous. The animation crew may have obsolete some digital tools, but they clearly tried to follow in the footsteps of Bambi’s illustrators in terms of their arrive to the whole project, taking anguish to remain faithful to the eye and feel of the novel. Since I haven’t seen the first Bambi, I can’t compare the two films at all - but I do judge the artwork of Bambi II really hits the effect.
Along with the movie, you also collect a estimable assortment of extra features on the DVD, including an involving observe at the making of Bambi II - this is where you really pick up a sense of the reverence Bambi II’s makers have for the recent film. You also have the option of watching the movie with various Bambi trivia and fun facts popping up at relevant times. A Disney animator shows budding young artists how to map Thumper, and there’s also a diminutive “come by Thumper” game for one or two players. Naturally, you also catch previews of some coming Disney attractions.
All in all, Bambi II is an impressive package. The film itself is what truly matters, of course, and I deem it is really profitable. Certainly, it’s aimed at a young audience, but I can’t agree with anyone saying there is nothing for adults in this film. Bambi II’s portrayal of the Large Prince’s fancy for Bambi and his struggle to rep the best design to raise the lad properly certainly touch upon issues that most parents will gain conclude to their heart. Bambi II certainly managed to touch my heart - and on more than one occasion.
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