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Movie Title: Le Grande Voyage
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LE Sizable VOYAGE is a gentle miracle of a film, a work made more profound because of its understated script by writer/director Ismaël Ferroukhi who allows the natural scenery of this ‘road trip’ myth and the sophisticated acting of the stars Nicolas Cazalé and Mohamed Majd to carry the emotional impact of the film. Ferroukhi’s vision is very capably enhanced by the cinematography of Katell Djian (a sensitive mixture of travelogue vistas of horizons and tightly photographed duets between characters) and the musical earn by Fowzi Guerdjou who manages to fill some handsome themes throughout the film while paying homage to the many local musical variations from the numerous countries the film surveys.

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Reda (Nicolas Cazalé) lives with his Muslim family in Southern France, a young student with a Western girlfriend who does not seem to be following the religious direction of his heritage. His elderly father (Mohamed Majd) has decided his time has near to produce his Hadj to Mecca, and being unable to drive, requests the reluctant Reda to forsake his personal needs to drive him to his ultimate religious obligation. The two position out in a fragile automobile to recede through France, into Italy, and on through Bulgaria, Croatia, Slovenia, and Turkey to Saudi Arabia. Along the budge Reda pleads with his father to visit some of the curious sights, but his father remains focused on the purpose of the mosey and Reda is irritably left to struggle with his father’s demands. On their pilgrimage they encounter an venerable woman (Ghina Ognianova) who attaches herself to the two men and must eventually be deserted by Reda, a Turkish man Mustapha (Jacky Nercessian) who promises to guide the father/son duo but instead brings about a schism by getting Reda drunk in a bar and disappearing, and countless border patrol guards and custom agents who delay their progress for various reasons. Tensions between father and son mount: Reda cannot understand the importance of this pilgrimage so fraught with trials and mishaps, and the father cannot comprehend Reda’s insensitivity to the father’s religious beliefs and needs. At last they arrive Mecca where they are surrounded by hoards of pilgrims from all around the world and the sensation of trip’s significance is overwhelming to Reda. The manner in which the yarn comes to a stop is touching and rich with meaning. It has taken a religious pilgrimage to restore the gap between youth and worn age, between son and father, and between defiance and acceptance of religious values.

The visual impact of this film is fantastic - all the more so because it feels as though the camera honest ‘happens’ to derive the beauty of the many stopping points along the arrangement without the need to enhance them with special effects. Nicolas Cazalé is a marvelous actor (be definite to search for his most unique and currently showing film ‘The Grocer’s Son’) and it is his carefully nuanced role that brings the magic to this film. Another blooming film from The Film Movement, this is a tender myth brilliantly told. Highly recommended. Grady Harp, September 08

In this French-Moroccan road movie, a father and son recede by car from France to Saudi Arabia. For the father, it is his once-in-a-lifetime pilgrimage to Mecca. For the teenage son, completely westernized, with a non-Muslim girlfriend and school exams to assume, it is the worst possible turn of events. They quarrel great of the scheme or press on in bitter silence, as the road takes them through Italy, the Balkans, Turkey, Syria and Jordan. Along the plan, there is pains at border crossings and they remove up riders - not always willingly. Eventually, in a blow-up over a gift of money to a begging woman at a well in the desert, they advance a crisis that threatens to separate them.

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As travelogue, the film is though-provoking. European landscapes give draw dramatically in Turkey to the East, with a visit to the Blue Mosque in Istanbul and a nightclub with singing and dancing. Intensity builds as their skedaddle converges with that of other pilgrims until they merge with the enormous crowds from all over the Muslim world in Mecca. The performances are handsome, as the expeditiously emotions of the son drive his moods in conflicting directions and the stolid father clings stubbornly to his have determination to do it all his contrivance. A winner at the Venice Film Festival.
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