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The Ladykillers Streaming

Mercredi, mars 17th, 2010
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Movie Title: The Ladykillers
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A comedy from another status and another time, that apt now seems so long ago and far away, “The Ladykillers,” directed by Alexander Mackendrick, stars Alec Guinness, Cecil Parker, Peter Sellers and Herbert Lom, and stands as a perfect example of how charming, exquisite, civilized and yes, “droll,” a film can be when approached with intelligence and respect for the audience. Guinness plays Professor Marcus, who puts together a gang to pull off the “perfect” robbery he has concocted. But, as it always is with all things “perfect,” it lickety-split goes awry for the gang, thanks to the involvement of an frail lady (Katie Johnson), in whose house Marcus has taken rooms. And as the plot in which the gang finds themselves escalates as they try to place things to rights, the audience is treated to an exemplary section of truly laughable and memorable cinema. Guinness anchors the farce with a obliging characterization (even to altering his appearance with fraudulent teeth) of the Professor. It’s a prime example of impartial how sizable a character actor Guinness was; as in all of his films, he creates a total character of Marcus, inside and out, beginning with the attitude and legal on down to the smallest details that many actors would contemplate insignificant. There is a studied consistency he maintains throughout the film that would stand up to the closest scrutiny; it is not by accident that he is considered by many to be one of greatest actors of our times. And how immense to peruse the youthful Peter Sellers in one of his earliest roles. Spy closely and you can inspect traces of the fresh mannerisms that would imprint his career; the exiguous hesitations, the inward, subtle consideration of the spot quo and the sense he conveys in a split second that Murphy’s Law is about to go into enact. He makes Harry, a member of the hapless gang, a memorable character. Herbert Lom (as Louis, in this precursor to his pairing with Sellers some twenty years later in the “Pink Panther” movies), Parker (Major Courtney) and Danny Green (One-Round) round out the gang, the likes of which you have never seen before, nor in all probability will ever survey again, because– as the saying goes– they objective don’t create `em like this any more. The supporting cast includes Jack Warner (The Superintendent), Philip Stainton (Sergeant), Kenneth Connor (Cab Driver) and Ewan Roberts (Constable) . Clever and sophisticated, “The Ladykillers” is a testimony to honest how immense and uplifting comedy can be, without resorting to the improper and often unpalatable “humor” upon which so many of today’s contemporary comedies seem to depend. Not to say that today’s comedies are no good; it’s unbiased that they so often lack the like and the “humanity”– not to mention the longevity– which lends itself to a film such as this one. Movies like this will be around long after most of the addle-brained Saturday Night Live induced fare is gone and forgotten. With the added bonus of having Guinness and Sellers together, this is a right classic in every sense of the word. This is what the magic of the movies is really all about.

“The Ladykillers” is regarded as the last of the tall Ealing comedies and another macabre shaded comedy in the style of “Kind Hearts and Coronets.” However, I had picked up the film because it had both Alec Guinness and Peter Sellers and was therefore rather surprised that the one doing all the scene stealing is Katie Johnson as Mrs. Wilberforce, a sweet small ragged lady who makes it a daily practice to go round to the local constable’s place each day to retain them apprised on what is happening in the neighborhood. Guinness plays Professor Marcus, a criminal mastermind who plans on duping Mrs. Wilberforce into being an unwitting member of his gang, who are going to capture a armored car. As a mask, he tells the aged lady that they are a string quartet, and they play the same portray over and over again while they earn their map. When Mrs. Wilberforce repeatedly arrives to offer tea, coffee, or any other comfort that comes to mind, the criminals all stand around uncomfortably holding their instruments and try to build microscopic talk.

The gang has all of your standard criminal types. Danny Green is the gentle giant, One-Round (a.k.a. Mr. Lawson), Cecily Parker is the old-fashioned army chap Claude (a.k.a. Major Courtney), Herbert Lom is the cold-hearted killer Louis (a.k.a. Mr. Harvey), and Sellers is the young rouge Harry (a.k.a. Mr. Robinson) . However, the ironic point of this 1955 dim comedy is that together they are no match for Mrs. Wilberforce. The heist goes off without a hitch, that is to say until Mrs. Wilberforce plays her unwitting role in the proceedings. What follows is like the extinct Chinese finger torture, where the more things work for the gang the worst off they net as the slight venerable lady thwarts their plans without even trying. Eventually even Mrs. Wilberforce is able to add up things enough to become a liability. Then the criminals execute the biggest mistake of all: they plot lots to view who has to do the musty lady in. The notion that Guinness, Sellars, and the rest of the gang could be reduced to minor roles by a shrimp used lady is astonishing, but that is the trusty irony that makes “The Ladykillers” a classic.
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