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My husband doesn’t even like musicals, but he likes this one!
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What could be better than singing by Howard Keel and Jane Powell? The music is gigantic, the colors quick-witted and bright, the choreography incredible.
To our unique eyes, the memoir of this 1954 musical seems a small outdated–the attitudes towards women are somewhat distasteful. Howard Keel’s character, Adam, needs someone to smart and cook for his household of 6 wild brothers, so he honest goes into town and “acquires” a wife, dreadful Millie (Jane Powell) who has no notion what is in store for her.
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When the boys resolve they need wives, they unbiased go into town, kidnap a batch of girls, beat the girls’ boyfriends tedious, and exercise the winter snowbound with the girls who miraculously tumble in appreciate with them. OK, well then…
But, the charm of this musical somehow allows us to overlook all of this, and Millie’s sheer spunkiness in trying to tame these wild men redeems them somehow. So everyone learns his lesson and all ends well.
This musical is also arresting in that it showcases several young talents who became better known in later years: The character of Dorcas is played by Julie Newmeyer (a young Julie Newmar, Catwoman in the TV series Batman in later years), Russ Tamblyn (future star of West Side Narrative), and Ruta Kilmonis (later semi-celebrity Ruta Lee) . Even in this very early outing, Julie Newmar’s distinctive disclose and looks beget her stand out.
The director, Stanley Donen, directed some of the best musicals in the 50s, including Damn Yankees, Singing in the Rain, Kismet (uncredited), and Royal Wedding. Inexplicably, in his later career, he directed such bombs as Saturn 3 (1980) .
A “sleeper” when it was released in 1954, “Seven Brides for Seven Brothers” is aloof one of the freshest musicals ever made. With a pleasing, captivating fetch by Gene de Paul and Johnny Mercer and rambunctious but carefully-controlled choreography by Michael Kidd, this modestly-budgeted movie surprised everyone by becoming an grand hit, even being nominated for Best Portray. Based on a short sage by Stephen Vncent Benet called “Sobbin’ Women” (which was the film’s working title), it tells the record of a frontier woman Millie (Jane Powell) courted by a backwoodsman Adam (Howard Keel) . He takes her off to his rustic home, neglecting to screech her he has six untamed brothers to care for. Undaunted, Millie sets about domesticating the household, complete with readings from classical history, including the myth of the Sabine women, which the boys remove to heart. The musical was filmed in AnscoColor and CinemaScope, and the wide conceal is utilized to mammoth finish, especially in the barn-raising sequence. Letter-box is mandatory. DePaul and Mercer wrote some effective songs (”Extraordinary Day”, “When You’re in Adore”, “Sobbin’ Women”) and the numbers blend into the record perfectly under Stanley Donen’s detached direction. Dresden-doll coloratura Powell and strapping baritone Keel fabricate such an gorgeous couple it’s unfamiliar M~G~M never co-starred them again. (Evidently a musical version of “Robin Hood” never got past the drawing board.) The brothers include Unusual York City Ballet star Jacques d’Amboise and a non-dancer, the mysterious Jeff Richards, who may have been the handsomest man ever to appear on the cover, Rock Hudson notwithstanding. Among the brides is Julie Newmar, who a couple of seasons later would stupefy Broadway in “Li’l Abner”.Colorful and pleasantly aggressive, “Seven Brides for Seven Brothers” is proper up there with Metro’s best musicals.
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